Neil Gaiman is one of my favorite authors, but I have yet to see an adaptation of his works that manages to capture their unsettling, slightly terrifying magical feel. Stardust is great fun, but it’s Hollywoodized, whereas Coraline was sanitized so much that it really isn’t the same story anymore. I’m sure that if The Graveyard Book ever gets made, the same thing will happen to it too.
Still, when I heard that four of his short stories were getting adapted into a Twilight Zone-esque mini series, my interest was piqued. These stories – “Foreign Parts”, “Feeders and Eaters”, “Closing Time”, and “Looking for the Girl” – may not be the most cinematic, but they could be amazing if adapted well, and the anthology format is perfect.
I’m not going to summarize the stories, because you really have to read them to enjoy them (and the adaptations). Out of the four episodes, “Feeders and Eaters” is my favorite, since it has an interesting change from the source (the narrator of the frame story is now a pregnant waitress instead of a man, which emphasizes the “feeders and eaters” motif) and the casting of Miss Covier is perfect (again, you have to read the story, explaining who Miss Covier is would pretty much ruin it.)
“Closing Time” is probably the creepiest, but in the original story, part of the creepiness comes from the fact that you’re never quite sure who is telling the story, but in the adaptation you can see the narrator right there on the screen, so it takes away some of that mystery.
However, I was overall disappointed. The series is more like stage readings of the stories than adaptations. You get a lot of the “narrator” characters sitting around and telling you these stories (often with passages lifted straight from the source), and there are only the occasional scenes to illustrate the narration, instead of the stories being dramatized into actual plots. I guess this is a deliberate choice, since most of these stories have to do with storytelling, but it isn’t very interesting to watch. “Looking for the Girl” is perhaps the most frustrating of all, because the story is so good, and here it’s just an old guy sitting down and telling it to you.
So this may be worth checking out if you’re a Neil Gaiman fan, but for me, it’s just another in a long line of disappointments. I’m holding out hope for American Gods (I trust Bryan Fuller, plus the casting looks great so far) and How to Talk to Girls at Parties (it’s directed by the same guy who made Hedwig and the Angry Inch, which is perfect for a story about punk rock and aliens.)
It’s tough writing a review for an adaptation, especially one of a book as rich as Susanna Clarke’s “Jonathan Strange & Mr. Norrell”. How much plot to include? Should I compare the book and the adaptation or just stick to one medium? Besides, the mini series isn’t even finished yet – only 3 episodes have been aired, and there are 7 altogether. But what I’ve seen so far is so good and I have been excited about this adaptation for so long that I couldn’t wait to rant about it. Please bear with me.
First, a brief summary: the story is set in England during the Napoleonic War, where magic has been lost for 300 years. It tells the rivalry between two magicians who are prophesied to bring magic back, the reclusive Gilbert Norrell and Jonathan Strange, a talented novice.
Of course, this doesn’t do the book justice, but then again, the book is so incredibly detailed and its world so large that no summary can do it justice. And that’s where the adaptation comes in. Even though I don’t remember the book exactly (I’m rereading it right now, as I watch the mini series), I think the adaptation perfectly captures the spirit of the story and follows the source material closely while still doing a good job of condensing it and adapting it into the visual form.
Comparison to Harry Potter is inevitable – it is, after all, a world of spells and charms, of talking statues and battleships made out of rain, of fairy folks and foundlings. But it’s not a kid’s show by any means. It touches upon more intimate, more grown-up themes than the simple good vs. evil, and explores them with subtlety (here’s an excellent article about how the show isn’t taken seriously because it doesn’t have the sex and violence expected in “adult fantasy”.) It’s very easy to turn this campy, or go to the opposite end of the spectrum and make it dark and heavy, but I think the show hits the perfect balance between the somberness of a historical drama and the excitement of a fantasy.
And of course, it helps that the casting is pretty much perfect. Every single cast member is just like how I imagined that character – I literally squealed when I learned that Marc Warren was cast as the Gentleman with the Thistledown Hair. My only scruple is Bertie Carvel as Jonathan Strange. I’ve only seen him in a small role in Sherlock and thought he was forgettable. In the book, Strange is described as “Some people thought him handsome, but this was by no means a universal opinion”, with a “long nose”, an “ironic expression”, and reddish hair, so naturally I thought my boy JJ Feild would be perfect. But, by the second episode, I was convinced. Bertie Carvel’s chemistry with Eddie Marsan (Norrell) and Charlotte Riley (Arabella Strange) was so amazing that I can’t imagine any other actor in that role.
The cinematography, production design, and costumes are top-notch too. There are scenes that look just like Caspar David Friedrich’s paintings:
Such as this
If this is how the first 3 episodes are, then I have no doubt the last 4 would be just as great. Go watch it! (It’s on BBC One now every Sunday, and will be on BBC America starting from June 13.) And read the book!
Ah, Black Mirror. The sick, dark, twisted sci-fi anthology show that makes me so happy (and terrified) when I first discovered it. For a while it looked like the show wasn’t showing to get another season, so I was super excited to find out it was coming back with a Christmas special. It contains three interconnecting stories revolving around Matt (Jon Hamm), Greta (Oona Chaplin), and Joe (Rafe Spall), with Matt and Joe’s conversation during Christmas dinner at a strange, snowy outpost serving as the framing device.
I will not reveal too much about the actual plot or the sci-fi concepts used in the episode. Suffice to say, it continues in the vein of previous episodes, which takes an existing technology or concept (Google Glass, blocking on social media, mind uploading) and push it further, so when you watch it, you can recognize it right away, but you also realize how terribly wrong it could go, and that’s what makes Black Mirror so brilliant.
I have a few quibbles about the casting of Jon Hamm – I think he’s too recognizable (you look at him and all you can see is Don Draper), though I do admit, he is perfect in bringing that half-charming, half-smarmy quality that the character needs. The section with Oona Chaplin is a bit lacking, but it does tie in nicely with Rafe Spall’s story, which is heartbreaking and creepy and horrible (in a good way) all that the same time. The final twist I could see a mile off, but it doesn’t matter because the ending is so terrifying.
The first two seasons are on Netflix and I’m sure this will be too. If you want to feel absolutely wretched before the holiday, check it out! Merry Christmas indeed.
So I finally caught the Bomb Girls TV movie that serves as a series finale. At first I was a little miffed that it just glosses over most of the events in the second season’s cliffhanger to get everybody back to the status quo (Betty is out of jail! Gladys is back at the factory!) but slowly I got drawn into the story and really enjoyed it. Yeah, some of it is kind of far-fetched, but it’s fun. I’m not even annoyed with Gladys’ storyline as usual – mostly because her obnoxious love interest is [SPOILER] disposed of right at the beginning. I said “Oh thank God!” aloud at that scene. I can’t stand another minute of his faux British accent. The rest of the story is great too, and I only wish it was developed into a full season, because it definitely feels kinda rushed at times. Oh well. It’s a good wrap-up. Now, maybe I can move on to The Bletchley Circle or Call the Midwife. May Bletchley Circle first, that has only 7 episodes.
Why, Gladys, how very Agent Carter of you
OK, this is just spooky. I have reviewed 5 TV series on the blog so far – Pan Am, Bomb Girls, Black Mirror, The Hour, and Miss Fisher’s Murder Mysteries. None of them has made it past the second season. Bomb Girls is getting a TV movie to wrap up the cliffhanger, Black Mirror is possibly coming back for a third season but even the creator doesn’t know when, and now it looks like Miss Fisher is not coming back either, because apparently it costs too much. But perhaps it is not so surprising after all. Four out of five of those series are period shows and Black Mirror is a sci-fi anthology, so they all cost a lot to make and the audience is not big. I mean, just take a look at Miss Fisher – they probably blow most of their budget on those fabulous costumes.
This post is, in fact, just an excuse to look at those costumes, because yeah, the second season is just as fun as the first, but let’s be honest here: I don’t watch it for the murder cases. I watch it for the costumes (mostly the hats. I love all of the hats.)
Just to be safe though, if I do want to review shows from now on, I should probably just stick to those that already got a few seasons under their belts – like Call the Midwife, which is on my to-watch list, but with Games of Throne and Mad Men coming back, it’ll have to wait.